– kako sprečiti da nas rane iz detinjstva ne definišu?
23’ Fr
režija-dir.
Enzo Serripierri
U francuskom filmu „Znakovi koji bole“ pratimo život Chloé, gluve devojke koja je tokom detinjstva trpela psihološko nasilje od strane oca. Iako prekida odnos sa njim, ona shvata da ožiljci iz prošlosti ne nestaju, već nastavljaju da oblikuju njeno mentalno zdravlje i svakodnevni život. Film progovara o univerzalnom problemu verbalnog zlostavljanja dece, kojem su izložene hiljade mališana širom sveta.
In the French film “Signs that hurt”, we follow the life of Chloé, a deaf girl who suffered psychological violence from her father during her childhood. Although she breaks up with him, she realizes that the scars from the past don’t go away, but continue to shape her mental health and everyday life. The film talks about the universal problem of verbal abuse of children, to which thousands of children around the world are exposed.
– priča o potrazi za nezavisnošću i prihvatanjem različitosti.
14’ ŠP
režija – dir: Ashling Ocampo Colvin
U španskom filmu „Bakina kuća“ pratimo Mer, mladu devojku sa Daunovim sindromom, koja tokom proslave 18. rođendana donosi važnu odluku – želi da položi vozački ispit. Međutim, porodica i okolina ne pružaju podršku, što u njoj budi osećaj frustracije i zavisti prema sestri Palomi, koja postaje sve samostalnija. Dok tenzije rastu, Mer se suočava sa osećajem nerazumevanja i usamljenosti, čak i u auto-školi. Ipak, njena borba za pravo na samostalnost podseća porodicu da se iza želje za vožnjom krije dublja potreba – da odraste i pronađe svoj put.
In the Spanish film “Grandma’s House”, we follow Mer, a young girl with Down syndrome, who makes an important decision during her 18th birthday celebration – she wants to pass her driving test. However, the family and the environment do not provide support, which makes her feel frustrated and jealous of her sister Paloma, who is becoming more and more independent. As tensions rise, Mer faces feelings of incomprehension and loneliness, even at the driving school. However, her fight for the right to independence reminds the family that behind the desire to drive there is a deeper need – to grow up and find her own way.
– prikaz monodrame iz Gruzije donosi nam pobunjeni glas žene sa invaliditetom.
4’ Gr
režija – dir: Nika Zubashvili, Mariam Gigilashvili
Film istražuje borbe žena, ispreplićući dirljivu priču o otpornosti i identitetu kroz priču žene koja je izgubila ruku. Film se bavi delikatnom interakcijom između snage i ranjivosti, beležeći i fizičke i emocionalne bitke sa kojima se suočava u svetu koji joj često nameće ograničenja.
The film explores the struggles of being a woman, weaving a poignant tale of resilience and identity through the story of a woman who has lost her hand. It delves into the delicate interplay between strength and vulnerability, capturing both the physical and emotional battles she faces in a world that often imposes limitations on her.
-film o istrajnosti i snazi stvaranja.
15’ Tur
režija – dir: Cemal Karaaslan
„Dugoruka“ iz Turske je priča o Dilari, studentkinji umetnosti koja uprkos izazovima sanja da postane uspešna slikarka i jednog dana studira u inostranstvu. Njen prijatelj Cemal, student filma, odlučuje da zabeleži njeno putovanje, svesan da bi njihovi zajednički dani mogli uskoro da se završe. Zajedno sa prijateljima bore se da stvaraju umetnost i pronađu smisao u okruženju koje im često stoji na putu. Ovaj dokumentarac je i portret prijateljstva i svedočanstvo o istrajnosti umetnika koji se ne predaju uprkos preprekama.
“Long Arm” from Turkey is the story of Dilara, an art student who, despite the challenges, dreams of becoming a successful painter and one day studying abroad. Her friend Cemal, a film student, decides to document her journey, aware that their days together may soon be over. Together with their friends, they struggle to create art and find meaning in an environment that often stands in their way. This documentary is both a portrait of friendship and a testament to the perseverance of artists who do not give up despite obstacles.
-plesna priča o rastanku, oslobađanju i unutrašnjoj snazi.
10’ Fr
režija – dir: Maylis Arrabit, Carolina Kzan
„Crvene cipele“ iz Francuske vodi nas u intimnu priču o Maylis, umetnici koja se suočava s predstojećim rastankom i kroz ples preispituje svoje emocije, odnose i put samopotvrđivanja. Film prepliće stvarno i imaginarno, dok ples postaje jezik kroz koji se izražavaju promene, oslobađanje i nevidljive veze koje oblikuju naše živote. U ovoj poetskoj i vizuelno snažnoj priči, predmet koji je u bajci bio prokletstvo pretvara se u simbol slobode i nove snage.
“Red Shoes” from France takes us into the intimate story of Maylis, an artist who faces an impending breakup and through dance examines her emotions, relationships and the path of self-affirmation. The film interweaves the real and the imaginary, while dance becomes a language through which to express the changes, liberation and invisible connections that shape our lives. In this poetic and visually powerful story, the object that was a curse in the fairy tale is transformed into a symbol of freedom and new strength.
-kako male stvari mogu vratiti radost u naše živote
4’ SAD
režija – dir: Tal Anderson
Iz SAD-a stiže intimni dokumentarac o životu mlade glumice a ujedno i rediteljke ovog filma, Tal Anderson, osobe sa autizmom, koji kroz prizmu pandemijske izolacije istražuje kako promena utiče na nas sve. Film, snimljen u samo tri dana tokom karantina s minimalnom ekipom, koristi njenog mačka Winifreda kao neobičan vodič za ponovno otkrivanje radosti i mogućnosti u životu, pokazujući da čak i u izazovnim okolnostima možemo pronaći neočekivano zadovoljstvo. Slučajna sreća i ja je priča o otpornosti, kreativnosti i samoprihvatanju, koja nas podseća da svaka promena nosi priliku za rast i otkrivanje novih perspektiva.
From the USA comes an intimate documentary about the life of the young actress and also the director of this film, Tal Anderson, a person with autism, which through the prism of pandemic isolation explores how change affects us all. The film, shot in just three days during quarantine with a minimal crew, uses her cat Winifred as an unusual guide to rediscovering the joys and possibilities in life, showing that even in challenging circumstances we can find unexpected joy. Accidental Happiness and Me is a story of resilience, creativity and self-acceptance, reminding us that every change brings an opportunity for growth and discovery of new perspectives.
– dirljivu priča o porodici, osnaživanju i društvenim očekivanjima.
18 ’Nig
režija – dir: Ella Ogechi Chikezie
Halima, dvanaestogodišnja devojčica sa autizmom, odrasta u siromašnoj zajednici. Njena svakodnevica obeležena je izolacijom i nerazumevanjem. Jedino utočište nalazi u fudbalu, lopti koja joj donosi osećaj slobode i prostora da izrazi ono što rečima ne može. Kada majka pokuša da je prisilno uda za starijeg muškarca, Halimina tiha pobuna izlazi na videlo na fudbalskom terenu, gde zadivljuje zajednicu svojim talentom. U tom trenutku njen otac prvi put javno staje uz nju, započinjući put promene, prihvatanja i borbe za pravo da bude svoja.
Film prikazuje dirljivu priču o porodici, osnaživanju i društvenim očekivanjima, dok nas podseća na univerzalnu ljudsku potrebu za razumevanjem i prihvatanjem.
Halima, a twelve-year-old girl with autism, grows up in a poor community. Her everyday life is marked by isolation and misunderstanding. The only refuge she finds is in football, a ball that brings her a sense of freedom and space to express what she cannot with words. When her mother tries to force her to marry an older man, Halima’s quiet rebellion comes to light on the soccer field, where she amazes the community with her talent. At that moment, her father publicly stands by her for the first time, starting the path of change, acceptance and the fight for the right to be herself.
The film depicts a touching story of family, empowerment and societal expectations, while reminding us of the universal human need for understanding and acceptance.
– priča u kojoj muzika i pokret postaju jezik srca.
15’ Br
režija – dir: Lilih Curi
„Dečak“ iz Brazila je poetski filmski portret u kojem se prepliću muzika, ljubav i ples. Kroz reči majke upućene Ninu, film otvara prostor za sećanja koja se vraćaju u pokretu, oštrini čula i ritmu tela. Svaki kadar nosi emotivnu snagu i otkriva kako umetnost postaje način komunikacije tamo gde reči nisu dovoljne. Ova jedinstvena kombinacija dokumentarnog i fikcijskog izraza približava nas univerzalnom iskustvu povezanosti i nežnosti.
“Boy” from Brazil is a poetic film portrait in which music, love and dance intertwine. Through the mother’s words addressed to Nino, the film opens space for memories that return in movement, the sharpness of the senses and the rhythm of the body. Each frame carries an emotional force and reveals how art becomes a way of communication where words are not enough. This unique combination of documentary and fictional expression brings us closer to the universal experience of connection and tenderness.
Pristupačnost:
*Organizator zadržava pravo izmene programa
